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March 2008 Archives

March 3, 2008

Read Across America

If you've been meaning to bring your son or daughter to the library but just haven't gotten around to it, today is the day. It is the National Education Association's (NEA) Read Across America Day. The campaign asks all children to read a book today. We adults can participate, too, by reading to children or taking some time to start that book that has been sitting on the nightstand for months.

What, exactly, is Read Across America Day and why is it celebrated today? According to the NEA website, "Read Across America focuses the country's attention on how important it is to motivate children to read in addition to helping them master basic skills." For the past 11 years, this nationwide celebration has been held on or near Dr. Seuss's birthday because he "epitomizes a love of learning. Dr. Seuss's use of rhyme makes his books an effective tool for teaching young children the basic skills they need to be successful."

Dr. Seuss was born Theodor Seuss Geisel on March 2, 1904, in Springfield, MA. His books are favorites of children, both young and old, worldwide. They have sold more than 200 million copies and have been translated into 20 languages. Some have inspired specials, musicals, and movies, including How the Grinch Stole Christmas and the upcoming Horton Hears a Who starring Jim Carrey and Steve Carell. Seuss received a Pulitzer Prize in 1984 for his body of work. Although Dr. Seuss passed away in 1991, his legacy lives on at the Connecticut Valley Historical Museum, which has a permanent exhibit titled "Seuss on the Loose in Springfield." If you can't make it out to western Massachusetts, you can learn more about Dr. Seuss by reading one of our juvenile or adult books about Dr. Seuss.

Of course, you don't have to read Dr. Seuss today; any book will do. Whether you have something specific in mind or just want to browse the stacks, the library has plenty of books to satisfy all readers. Happy Read Across America Day!

March 4, 2008

FAQS about requesting material from Nashua Public Library

FAQ: I requested something online yesterday and the computer said it was checked in. Why isn’t it waiting for me at the Main Desk today?

Answer: Either we couldn’t find it or we haven’t had a chance to look for it yet.

We try to search for requested items daily but this isn’t always possible, especially on weekends when we’re short staffed. If another borrower finds the item you asked for before we do, they get to borrow it first. And if the material you want was used recently, it may not be where it belongs.

We will notify you when the material you requested is ready for pickup.

FAQ: You told me I could pick up my requested material through today, so why did the ‘Hold’ message already disappear from my account?

Answer: Our software deletes the hold message 4 days after it created it— an estimate based on 1 day to notify you plus the 3 days we promise to hold your material. Sometimes the estimate is wrong—if it took more than 1 day to notify you or we were closed due to bad weather, for example.

If you aren’t sure if your hold has expired yet, please call. We’ll be glad to check.

FAQ: Sometimes when I try to request something through the web site, the computer won’t let me. Why’s that?

Answer: Either you’ve exceeded the maximum number of requests you’re allowed to have at one time, or you’ve requested something that can’t be requested.

Maximum number of requests: 20 if you’ve given us a valid email address for hold notification, 2 if not.

Things that can’t be requested: Reference materials don’t leave the library, so they can’t be requested. Hot copies of the newest books can’t be requested, but New Arrivals copies of these titles can be requested. Also, the very newest movies can’t be requested for the first 60 days.

FAQ: I requested something a while ago and never heard anything. Now you tell me that my hold has expired. What happened?

Answer: Sometimes it’s impossible to know why our message didn’t reach you. We urge you to tell us about the problem and ask for the material again.

Please help us to notify you when your material is available: Tell us whenever your email address, address, or phone number changes; make sure that your spam filter accepts messages from nashualibrary.org and nashua.lib.nh.us; and check your messages frequently.

March 5, 2008

Hey, Who's Reading My Book?

When I first heard about audiobooks, I'll admit, I was very skeptical. Why would you want to listen to a book when you could just immerse yourself in the paper pages, hearing the words in your head? Once I became a librarian, though, I thought that I should give it a try, if only for professional research purposes. So, one day I stopped by the display of new audiobooks on CD and picked out a title. It was Iris Johansen's "The Search" (another case of trying something new--Johansen--in order to be informed). And while I wish I could say that I fell in love with audiobooks on the spot, that didn't happen until a few books later.

The narrator of "The Search" was Barbara Rosenblat. She may be a fine narrator, but I was listening to her in the car--and the car was drowning her out. This was my first lesson in audiobooks--the way the narrator reads can be very frustrating if you have to keep adjusting the volume. What might be dramatic on the CD player at home can be just unintelligible when played in the car.

Fortunately, I tried again. The next narrator was much easier to hear in the car, so I kept trying new books. I soon learned lesson #2: the narrator's rendition of the book might not match up with what your brain expects to hear. This can be a good thing, or a bad thing. For example: Alan Alda's "Never Have Your Dog Stuffed" was narrated by someone other than Alda. While I listened, the narrator's style kept clashing with how I expected the narrative to sound. It was so distracting that eventually I gave up and took out the paper copy.

On the other hand, the narrator can give the story that little extra something that makes the story come to life. I had tried to read Janet Evanovich's "One for the Money" twice, in print, and hadn't managed to finish it. I couldn't see why anyone thought she was funny. Then I tried the audio, read by C.J. Critt. Critt's wry performance gave the text nuances that made it much more fun for me. The same thing happened with Alexander McCall Smith's "The No. 1 Ladies' Detective Agency." A book that I hadn't been able to finish in paper was much more palatable in audio, thanks to the narrator's interpretation.

Naturally, all this is very subjective. One person may love a narrator, while another may not. As a fan of Christopher Moore's books, I was disappointed by Fisher Stevens's reading of "A Dirty Job," but a coworker found it brilliant. I like C.J. Critt's work, but my friend can't stand her. Luckily, narrators are listed in our catalog. You can do an author search for the narrator you like, and get a list of titles that they've read. You can also search for the book first, and then just check the record to see who the narrator is before you head down to the Music, Art and Media Department to grab the book.

So, don't give up if you don't like the first audiobook you try. A good narrator can make or break an audiobook. If it doesn't sound right to you, there's always the paper copy to fall back on. But a great narrator can enhance the experience and even uncover meanings that you might have missed in paper.

March 7, 2008

An art theft in Boston

Two important events happened over a two day span in Boston in March of 1990. The first of these was, of course, Saint Patrick's Day. The second was the art theft at the Isabella Stewart Gardner Museum which took place on March 18, 1990. This robbery has never been solved, and the stolen artwork has never been recovered. The art works stolen had an estimated combined value of somewhere between $100 and $300 million dollars and were the creations of artists with names like Manet, Vermeer, Rembrandt and Degas. On the 17th anniversary of the theft, the Gardner Museum issued a press release which included the offer of a $5 million dollar reward for information leading to the return of the artwork. If you visit the Gardner Museum today, you will still see the empty frames hanging on the wall since the will which created the museum requires that the collection remain the same.

The number of art thefts has not declined over the last 18 years. The Federal Bureau of Investigation has an Art Theft Program. The Gardner Museum theft is listed here as one of the top ten FBI art crimes. International art theft is also a growing problem. In Zurich, Switzerland four paintings were recently stolen from a small museum in broad daylight. Two of the paintings were later recovered, but international law organizations see this as a growing problem for small museums that cannot afford major security upgrades.

There is a mystique about art theft which seems to overlook the fact that it is a crime. Motion pictures and books often romanticize the art thief. The motive for art theft in literature and film is often to satisfy a selfish, rich collector who will pay anything to keep the best treasures of the art world for himself. In real life, that is usually not the case. Many times an art thief knows nothing about art and has no buyer when he steals the piece. It's just a way to, hopefully, make quick money.

The library has an interesting collection of art theft related material from movies to fiction to non-fiction. Here are a few selections:
Stolen: a movie made based on the events of the Gardner Museum theft
How to steal a million: a movie about stealing a forgery from an art museum
Art theft is a popular theme with writers of mystery fiction. Some of the library's newer art theft fiction includes:
Cat in a quicksilver caper by Carole Nelson Douglas
False impression by Jeffrey Archer
The brotherhood of the Holy Shroud by Julia Navarro
Always a thief by Kay Hooper
The library has some new nonfiction dealing with art theft. Two of these give a historical perspective on the problem:
Museum of the missing : a history of art theft by Simon Houpt
Rescuing da Vinci : Hitler and the Nazis stole Europe's great art : America and her allies recovered it by Robert M Edsel

March 10, 2008

Bored?

If you're between the ages of 11-17 (or you know someone who is) you'll want to keep reading. It's getting to be that time of year where we're all antsy for something to do. Our spring calendar has been published so I thought I'd take this opportunity to make you aware upcoming programs for teens at the Nashua Public Library. Here goes....

Anime Club
View anime video releases and tell the producers what you think of them, discuss your favorite anime or manga series, and display your anime sketches in the Teen Room.
First Tuesday of the month. (3/4, 4/1, 5/6, 6/3)
For ages 13 to 17
4pm, NPL Theater

TAG (Teen Advisory Group)
Volunteer for special projects, help choose library programs, recommend materials to purchase, and write reviews of teen materials for our blog.
Held on the second Tuesday of the month. (3/11, 4/8, 5/13, 6/10)
For ages 12 to 17.
4pm, NPL Theater

Computer Deconstruction
Have you ever wanted to rip open a computer to see what makes it tick? Tom from Missing Pieces will help you tear down and rebuild a PC so that it still works.
Tuesday, March 18th, 4pm
For ages 11-17.
Space is limited so register now!

Express Yourself Flower Pot
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Bring your green thumb and create a custom chalkboard planter to start your indoor garden. Herbs and planting soil will be provided. (photo courtesy of schmancy.blogspot.com/2007_06_01_archive.html)
Tuesday, April 15th, 7pm
For ages 11-17.
Register now!


Dance Dance Revolution
Drop in and follow the on-screen dance steps and become a DDR freak. Bring your friends and join the fun.
Tuesday, May 20th, 4pm
For ages 11-17.

Teen Scene Film Series
Give our film line a call (589-4646) to see what's playing.

BTW if you'd rather have this info emailed to you at the beginning of each month sign up for the TeenStuff newsletter on the teen page of the library web site.

March 11, 2008

For Your Information...

Just an FYI....the Children's Department has a child care resource available to parents in addition to our ever-expanding Parenting Alcove. But one might not know about this resource by searching the library catalog as it is an uncataloged item. This is a blue loose-leaf binder that sits on the counter at the Children's Department desk and contains the advertising brochures and flyers for the child care centers and preschools in the Nashua area. It may be a helpful tool to a person just starting out to be able to sit down and compare one center to another by perusing the brochures before stepping out to do all the legwork. In addition there is an alphabetical name, address, and telephone listing and a brochure to aid in the steps to selecting quality, affordable child care and what to look for on a visit to a child care center. To make the process even less stressful, the city of Nashua is fortunate to have an Office of Child Care Services that is located at the Public Health and Community Services Division at 18 Mulberry Street. Parents with questions about how to maneuver down the road of finding child care will have the good fortune of being able to consult with the grant/child care services coordinator, Christina Lister. Chris can be reached during the day at 603-589-4540 or ListerC@nashuanh.gov. She is a wealth of information and anxiously awaiting the opportunity to help parents in their quest for safe and reliable child care.

March 12, 2008

Spitzer or Puccini? I'll take Puccini

I'm tempted to write about the top news story of the day, but I've decided instead to write about something a little more tasteful. So my Governor Spitzer commentary will have to wait because 2008 is the 150th anniversary of the birth of one of the greatest opera composers of all time, Giacomo Puccini. Perhaps you've seen La Boheme, Madame Butterfly, or Turandot in person, or listened to recordings of them. You surely have heard Pavarotti's performance of Nessun Dorma (from Turandot) in the famed Three Tenors recording. If you haven't, you really need to.

"It is said that around 1876, Puccini, walked 13 miles to a theater in Pisa to hear Aida, the great Verdi opera, and immediately decided to become an opera composer as well. Serious study, however, would be needed, and with this in mind he secured a stipend from a grand-uncle, and then a scholarship to the Conservatory in Milan. He arrived in late 1880, and studied diligently for the next three years."* The rest, as they say, is history.

So why not read more about Puccini in the Biography Resource Center database, or check out one of these books.
The king and I : thirty-six years with my client, friend, and burden, Luciano Pavarotti : the untold story / by Herbert Breslin and Anne Midgette.
Pavarotti : life with Luciano / Adua Pavarotti with Wendy Dallas

And you must check out one of these recordings, videos and DVDs. You'll be happy you did.
Carreras, Domingo, Pavarotti in concert [sound recording].
The 3 tenors in concert 1994 : [videorecording]
Turandot sound recording / Puccini ; [completed by Franco Alfano].
La bohème [videorecording] / by Giacomo Puccini ; libretto by Giuseppe Giacosa and Luigi Illica ; The Metropolitan Opera.
My favorite opera for children [compact disc].

* "Giacomo Puccini." Contemporary Musicians, Volume 25. Gale Group, 1999.
Reproduced in Biography Resource Center. Farmington Hills, Mich.: Gale, 2008. http://galenet.galegroup.com/servlet/BioRC

March 13, 2008

Subscribe to Library Events Newsletters

If you want to know about lectures, concerts, classes, and other programs the library sponsors, but don't often have time to visit our Web site, let us bring the information to you.

The library publishes a number of email newsletters. This Week @ your library arrives in your inbox on Fridays with a list of events in the coming week, as well as brief notices of other library news.

Our quarterly calendar/newsletter comes out at the beginning of March, July, September, and December. This is a PDF file you can print yourself, or you can pick one up at the library. (Members of the Friends of the Library get it mailed to them--membership has its benefits!)

We also publish special interest newsletters. Topics include fishing, book discussions, history, politics/current events, craft classes, computer classes, and concerts. These come out just a few times a year, when programs on the pertinent topic are coming up.

The TeenStuff newsletter comes out monthly.

Click here if you prefer to subscribe to our newsletters through an RSS feed. Then click the small orange icon next to the newsletters you choose.

March 14, 2008

Simply "Scrabulous"

Calling all Scrabble fanatics!

A New York Times article last week Online Scrabble Craze Leaves Game Sellers at Loss for Words definitely aroused my curiosity. Having once considered myself an expert Scrabble player, although eventually I did learn otherwise, I am always on the lookout for new players and new strategies. I had played Scrabble on the computer previously, but the games were too dissimilar from the real game. This article, in the Business section of the Times, describes the online game Scrabulous as "a virtual knockoff of the Scrabble board game". Accessible from Facebook, Scrabulous draws over 700,000 players daily and claims nearly three million registered users. The article goes on, however, to describe how the companies that own the rights to Scrabble, Hasbro and Mattel, the two largest toy makers in the world, have denounced Scrabulous as piracy and have threatened legal action against its creators, two brothers from Calcutta, Rajat and Jayant Agarwalla who are the owners of a software development company.

Scrabulous has a board that looks just like Scrabble and the same number of letter tiles with the same point values. Players can send invitations to others on Facebook or search for opponents by posting messages. There is no time limit for moves or games. Scrabulous tracks player statistics, and it does not allow fake words. It cannot, however, prevent players from cheating. Four varieties of the game are offered by Scrabulous:

Just Scrabulous - You can join a game room and play online against any user who agrees to oppose you. You can also play live with friends privately inside the rooms.

Scrabulous Blitz - Players compete against each other in rounds that
last 4 minutes. Whoever gets the highest score before the timer runs out wins.

Email Version - You can play with your friends over emails. You will not need to register and, of course, you do not need to be online at the same time. For those of us with ample time, you can even play many games simultaneously.

Solitaire & Computer - You can play against the "robot" or just practice alone. There are over 10 robot levels and you can even save games.

So if I have whetted your appetite, you may wish to take a look at some websites about Scrabble:

Welcome to WorldWide Scrabble - This is the official site for Scrabble, providing history, trivia, and strategy tips for this board game, plus product information and links to clubs and organizations. Try the Scrabble Word of the Day.

Scrabble Crossword Board Game - Parker Brothers
- Take a look at their Scrabble Word Builder and Scrabble Dictionary. You can also access online Boggle and Upwords.

Natiional Scrabble Association - Includes a roster of clubs, upcoming local tournaments, event coverage, and rating lists.

And our library's materials about Scrabble include:

Word wars [videorecording]: tiles and tribulations on the Scrabble game circuit /Discovery Times and Seventh Art Releasing present an E-Wolf production ; produced by Eric Chaikin; directed by Eric Chaikin and Julian Petrillo.


The Official Scrabble players dictionary
.

The Oxford guide to word games by Tony Augarde.

The official Scrabble players handbook
edited by Drue K. Conklin, Scrabble Crossword Game Players, inc.


Scrabble anyone?

March 17, 2008

What is a Primary Source?

The other day, someone asked for help identifying primary sources. He wanted to know what he could use as primary sources, and where he could find them. The simple answer is that just about anything can be a primary source. However, it has to be used in the proper context to actually be an appropriate primary source. I have a history background, so a lot of what I explain below is geared toward using primary sources for history, but you can apply the information to other disciplines.

When you need a primary source, what exactly are you looking for?
A primary source is an original document, record, or account produced as a result of or in response to an event; or a work created during the era you are studying. There are many different types of primary sources:
*Works created during a particular time period These can be just about anything, from novels and plays to nonfiction and journal articles. They tell you what people were writing about—what ideas were important to them--at the time.
*Newspaper articles They give you a report on the local, national, and world events of a given day. You can see the treatment that these events received as well.
*Speeches Speeches can reach a wide audience, and not only outline the peaker's opinion, but also demonstrate the important issues of the day.
*Diaries, letters, personal papers and records These types of documents are often found in manuscript collections, and you never know what gems you will find.
*Interviews You might find transcripts or maybe even audio or video recordings themselves. There are also published interviews in magazines. You don’t have to restrict yourself to interviews with famous people. Many interviews or oral histories with common people can provide great insight.
*Organizational records—from schools, businesses, committees, non-profits, and other groups These records are created as part of the function of an organization.
*Court transcripts You can learn a lot about a time period based on the cases brought before the court, the arguments made by the attorneys, the testimony of the witnesses, and the opinions of the judges.
*Government records and documents Congressional records contain the transcripts of the debates in Congress—you can learn what bills were presented, even if they did not pass and become law. Knowing what did not pass and the legislators’ rationales’ behind the bills is valuable too. Other government records can be interesting as well.
*Political cartoons They often satirize, giving the reader a different way to look at pertinent issues.
*Photographs You have to be cognizant of the context of photographs. Always think about why a picture might have been taken as well as the picture itself. You also need to consider captions that accompany photos because they can have a significant impact on the meaning or interpretation of a picture.
*Paintings and other types of artwork Like political cartoons and works produced in a certain era, they provide commentary on the issues of the day.
*Posters, pamphlets, and ads These visual sources bring some pop culture into your analysis. These are items that may have reached a large number of people, unlike a diary, for example.
It might seem a little bit confusing that almost anything can be a primary source. Whether something can be considered a primary source depends on how you intend to use it, and the type of source that you use will depend on the topic of your project. Some sources may be more appropriate or relevant than others.

Why are primary sources important?
Looking at primary sources gives you the opportunity to interpret documents yourself, whereas secondary sources are someone else’s interpretation of primary sources. By going directly to the source, you are able to form your own opinion about the document instead of report on an author’s argument. Going to the source allows you to examine an entire document. A secondary source may extract certain parts of a primary source to support an argument. Because they were produced during the era you are studying, primary sources give you insight into that period. You are reading what the people of that time wrote and read, or the pictures they saw.

Because primary sources come in many formats, there are different places to look, such as:
*Databases Newsbank and Newpaper Archive have newspaper articles, and EBSCO includes journal and magazine articles.
*Online catalogs You can find books or collections of primary sources. When you do a subject search, try adding “sources,” "personal narratives," or "diaries" to your search, depending on what you are looking for. When you search for a book from a particular time period, it will not necessarily be classified as a primary source.
*Internet Some good sites include
-Librarians’ Internet Index http://www.lii.org/ a gateway to other sites; not all will have primary sources
-American Memory http://memory.loc.gov/ammem/index.html a great resource through the Library of Congress
-Library of Congress Prints and Photographs http://www.loc.gov/rr/print/catalog.html
-Thomas http://thomas.loc.gov/ covers the US Congress
-National Archives http://www.archives.gov/index.html government documents
-Government Printing Office http://www.gpoaccess.gov government documents
-H-Net http://www.h-net.org/ a searchable site for scholars in humanities and social science which will point you to some primary sources
*Bibliographies Check the secondary sources you are using to find the sources that the authors used to write their books. Be sure to identify which of the sources are primary sources as opposed to secondary sources. Sometimes you can find published bibliographies on a topic, too.

Using Primary Sources
*The way that you use a primary source will depend on the source itself. If you use court transcripts or the Congressional Records, you will have a lot more to work with than if you use a short newspaper article. In the first case, you might use your primary source as your main reference and use secondary sources to provide context, commentary, or contrast. In the case of a newspaper article, you might use that source as an example of the arguments in your secondary sources.
*Before analyzing the source, make sure you know the context in which it was written.You will not be able to properly analyze or understand what a primary source means, or why it matters, unless you know what was happening when it was created. In many cases, the context can be as important as the content, especially with visual sources.
*Consider the producer and the audience of the source. Who wrote it, why, and for whom? What was that person trying to accomplish, if anything.
*Determine if the writer has authority to speak or write about the subject. If you decide that the creator of the source is not qualified to speak about the topic, the source is not necessarily useless. The fact that someone would go through the effort to present an idea or create a piece of propaganda is important in and of itself. But, you must make that distinction.
*When you read newspaper reports, journal articles, and books written during your time period, remember that the authors are presenting a particular position. They are useful, and the author's take on an event or issue tells a story in and of itself. However, you must remember that newspaper reporters are putting their own spin on a report, and writers are making a specific argument. Everyone has a bias, or perspective.
*Even if it is a first-hand account, a single primary source does not tell the entire story. Secondary sources provide context, and other primary sources can fill in blanks, tell a different side of the story, or offer another perspective.
*Keep an open mind. Don’t be afraid to change your initial argument based on what you find. It is tempting to go into a project with an agenda. Let the sources guide your argument, rather than let your argument guide the sources.
*Remember, whether they are books or articles, visuals, or websites, always evaluate your sources, not only for credibility, but also for usefulness to your project. It is great to find primary source materials, but they must be relevant to your paper.
*Always cite your sources.

March 18, 2008

A Week of Passion

gibson.jpg

Mel Gibson's Passion of the Christ hit the theaters four years ago and later earned the #1 slot for Entertainment Weekly's list of 25 most controversial movies. Reviews ranged from the favorable, to the not so favorable, to the bawdily humorous. A rather different drama premiered two nights ago in the UK, The Passion, a BBC/HBO coproduction starring Joseph Mawle and James Nesbitt. By all indications it seems to be more historical than Gibson's confessional film, if at times sentimental. The drama is only half finished (parts three and four will be aired on BBC One this Friday and Sunday) but so far getting favorable enough reviews (see here for instance).

Dramas about Jesus' death and/or resurrection can be incendiary and make viewers want to know "what really happened" 2000 years ago. The library has plenty of historical guides written by religious and secular specialists from all backgrounds, and the following are a sample.

For Good Friday (Passion)

Jesus and Mel Gibson's Passion of the Christ: The Film, the Gospels, and the Claims of History, edited by Kathleen Corley and Robert Webb. Conservative and liberal scholars point out the strengths and weaknesses of Gibson's film.

The Last Week: The Day-by-Day Account of Jesus' Final Week in Jerusalem, by Marcus Borg and John Dominic Crossan. Two liberal Christians serve up an alternative account to the traditional one, arguing that Jesus' passion was for social justice more than suffering.

Jesus of Nazareth, King of the Jews: A Jewish Life and the Emergence of Christianity, by Paula Fredriksen. A Jewish scholar argues that Jesus was killed because of the Jewish High Priest's itchy trigger-finger when dealing with popular prophets.

resurrecting.jpg

Who Killed Jesus? Exposing the Roots of Anti-Semitism in the Gospel Story of the Death of Jesus, by John Dominic Crossan. An ex-Roman Catholic priest points out the features of the gospel drama which he thinks are unhistorical and explains why.

Jesus and His Death: Historiography, the Historical Jesus, and Atonement Theory, by Scot McKnight. An evangelical scholar argues that atonement ideas about Christ's death trace back to the historical Jesus.

For Easter Sunday (Resurrection)

The Resurrection of the Son of God, by N. T. Wright. The current Bishop of Durham analyzes Jesus' resurrection (which he believes in literally) through the filter of ancient Judaism.

The Resurrection of Christ, by Gerd Ludemann. An atheist argues that the resurrection belief came from the disciples' hallucinations, and that there never was an empty tomb.

Resurrecting Jesus: The Earliest Christian Tradition and its Interpreters, by Dale Allison. A Christian scholar argues that Jesus' tomb was empty for reasons we cannot know, and considers the documented evidence for accounts of bereavement visions.

The Empty Tomb, edited by Robert Price and Jeffery Jay Lowder. A series of essays from the skeptics corner.

March 19, 2008

Clarke's star dims

One of the titans of science fiction, Arthur C. Clarke, died yesterday in Sri Lanka. He was 90. Many of you will recognize him as the author of the classic 2001: A Space Odyssey and its sequels. You might be surprised to learn that he also wrote extensively on nonfiction topics such as space and the sea.

If you search for Arthur C. Clarke in the Literature Resource Center database, you'll find an extensive list of honors and awards. He won the Hugo and Nebula awards for Rendezvous with Rama and The Fountains of Paradise, among others, and the Grand Master Award by the Science Fiction Writers of America. He was knighted by Queen Elizabeth and had an asteroid named in his honor.

More significantly, he won the Stuart Ballantine Gold Medal in 1963, for originating the concept of communications satellites (Contemporary Authors Online, Thompson Gale, 2007). He was also nominated for the Nobel Peace Price in 1994.

Though he was 90 years old, he was still publishing. His latest fiction title was Firstborn, which he cowrote with Stephen Baxter. Published just this year, it's the third book in the Time Odyssey series. When it's not checked out, you'll find it in the library's New Arrivals display.

Those of you who read and loved his work, please drop us a comment about his contributions.

March 21, 2008

Who will care for your loved one? Or you?

This is not a happy topic by any stretch of the imagination. It involves a decision that my husband's family has just finished making - three times. Based on this experience, it seems to me that when you come to the end of all the discussion, many times no one is happy with the decision. Worse than that, this decision can be made and then circumstances can force the discussion to begin all over again.

The person in my case is my father-in-law who has just turned 90. Until 8 months ago, he lived with his second wife in their apartment. When his wife died, it quickly became apparent that he could not live alone. The decision was made to hire a live-in caregiver. When that did not work, the decision was made to have him live with a family member and attend adult daycare. After a medical emergency, he could no longer attend the daycare. So, with much agonizing discussion, he was finally placed in a nursing home.

So much depends on making informed choices at a time when emotion seems to rule. So many things must still be considered even when decisions need to be made quickly. There are tools that can be used to help with informed choices. If you have advance notice that some type of long-term care will be necessary in your future or the future of a loved one, the U. S. Department of Health and Human Services answers a multitude of questions through their National Clearinghouse for long-term care information . If the necessity to arrive at decisions for arrangements is suddenly thrust upon you, Medicare has a website which assists in locating and comparing nursing homes. On this site you will find a link to a website which maintains a listing of poor performing nursing homes. This list is called the Special Focus Facility background information and list. Medicare also provides a Long-Term care planning tool which will allow you to determine the best level of care for a loved one or yourself and begin to research the best way to meet the financial obligations involved in this level of care.

The library has books to assist you in the decision making process as well.
Keeping them healthy, keeping them home: how to care for your lived ones at home is filled with sensible suggestions and solutions to problems which arise when providing at home care for a loved one.
Nursing homes: the family's journey helps families to understand the important social and emotional aspects of nursing home placement. NOLO provides a comprehensive guide to elder care choices in Choose the right long-term care.

If you are concerned about the state of nursing homes in today's society, you might want to read The crisis in America's nursing homes by Guy Seaton. If you have ever considered a career in elder care, or have just wondered what daily life is like inside a nursing home, Nobody's home: candid reflections of a nursing home aide is an eye-opening read.

This is not an easy choice to make. The best time to begin thinking about it is now rather than later.

March 25, 2008

Child Care Resource continued

My last blog on March 11th discussed a not too widely known resource available in the Children's Department that is a three-ring binder that holds advertising flyers and brochures to the child care and early education programs available in the Nashua area. This resource can be used as a starting off place for young families to make comparisons, jot down a few notes and websites and then head off for a visit to centers that may provide the care and early education one is looking for. Also listed was contact information to the City of Nashua's Office of Child Care Services and it's coordinator, Chris Lister.
Nashua is a community committed to providing quality, affordable child care. This is evident by the mayoral-appointed Child Care Advisory Commission of Nashua that was established in 1987. The Commission is made up of a group of 15 individuals that live and/or work in Nashua and whose mission it is to review and report on the state of child care in Nashua, to recommend policies to improve child care, and to support the Office of Child Care Services.
One of the ways the Commission gets word out to the community about the child care and early education programs available in Nashua is to annually co-sponsor the "Week of the Young Child Proclamation Ceremony" with the Nashua Early Childhood Care and Education Network. This well-attended event will occur again on Sunday, April 13, 2008 at Nashua High School South in the cafeteria from 1:30pm-3:30pm. Each of the many child care centers that participate will bring a fun, creative activity for young children to enjoy while parents are able to pick up literature on the various programs from a clearinghouse table manned by the Office of Child Care Services. At approximately 2:30pm, Mayor Donnalee Lozeau will read a proclamation proclaiming the week of April 13-19, 2008 the "Week of the Young Child" as celebrated nationally and sponsored by NAEYC (National Association for the Education of Young Children).
So, if time is on your side, check out the Proclamation Ceremony. Your child will have a great time but, if not, you can always depend on your local library to provide you the info you need to start your search for affordable, quality child care. That peace of mind makes it easier for all of us to go to work!!

March 26, 2008

Frontline videos

frontline.gifPublic radio and public television are such terrific resources. I often times forget about them, but when I remember them, I'm always glad I did. One excellent series I watch on PBS from time to time is Frontline. The show features investigative journalism pieces that are very thorough and very thought-provoking. This week the show is a two-part series titled "Bush's War" that reviews the ongoing struggle in Iraq and the events that led up to it. A definite must-see in my opinion.

Another nice feature about Frontline, and many PBS shows, is that a lot of supplementary content is available on their website, http://www.frontline.org. For example, you can watch the entire "Bush's War" series on their website. You can also read transcripts of over 400 interviews conducted for the series. So be sure to take a look.

The library also has a number of Frontline videos that you can take home. Listed below are just a few. All of them can be found in the Music, Art & Media department on the lower level of the library.

The Mormons [videorecording] / a Frontline and American experience co-production
From Jesus to Christ [videorecording] : the first Christians / a Frontline coproduction
Assault on gay America / a Frontline co-production
What's up with the weather? [videorecording] / a FRONTLINE/NOVA coproduction

March 27, 2008

Friends of the Library Spring Book Sale

Here is a great opportunity to buy some lightly-used books and support your library. The Friends of the Nashua Public Library will hold its Spring Book Sale on Saturday, April 12th from 9 am to 4 pm and Sunday, April 13th, from 1 pm to 4 pm. Most hardcover books are $2.00, and paperbacks are $.50 to $1.00.

A special Preview Sale for Friends members will occur on Friday, April 11th from 6 pm to 8:30 pm. Become a member of the Friends on Friday night to get first crack at the books.

The Friends will accept donations of books in good condition until Tuesday, April 1st. We do not accept textbooks, encyclopedias, magazines, or condensed books, however.

If you would like to volunteer to help with the Book Sale, please email Marjorie Morse at marjorie.morse@comcast.net.

Some of the ways the Friends have supported the library this year include: purchasing a new Blu-ray disc player to show films in the library’s theater; buying museum passes; supporting the Teen summer reading and Books-2-Babies programs; and funding translation of library forms into Spanish.

So, tell your friends to meet you at the Friends of the Nashua Public Library’s book sale.

March 28, 2008

March Madness

On Wednesday David Letterman's Top Ten List was Top Ten Signs You're Watching Too Much NCAA Basketball. Are you?

"March Madness" at this time of year has nothing to do with Alice in Wonderland and going to the "Big Dance" has nothing to do with a prom date. “March Madness” means only one thing to College Basketball fans, the Annual NCAA Basketball Tournament. When Dr. James Naismith conceived the game of basketball in 1891, he most probably had no idea that basketball would become the phenomenon it is today. The NCAA Basketball Tournament has been an annual event since 1939. The term “March Madness” was originated by the Indiana High School Association for their annual basketball championships. When Chicago-based sports reporter Brent Musberger used the term to describe the NCAA Basketball Tournament in 1982, it became synonymous with the tournament.

How are the 65 teams selected for the tournament? 30 of the teams receive automatic invitations by winning their conference championships. If there are 31 conferences (the number of teams and conferences in Division I can vary from season to season), the champion of the lowest rated conference does not receive an automatic invitation. The remaining 34 teams, named 'at-large' teams, are selected through a quite complex process. The at-large invitations are based on a team's overall record and its RPI (Ratings Percentage Index - see 2008 College Basketball Ratings Percentage Index (RPI)). The selection committee also considers a team's record against top-ranked teams, its record in its last ten games, its record against both conference and non-conference teams, and more. The committee will even take injuries into account. The Opening Round game, (formerly known as the Play-In Game) is the first game of the tournament, played between the two last-seeded (i.e. 64th and 65th) teams. This year the game pitted St. Mary's vs. Coppin State.

The NCAA Men's Division I Basketball Championship is a single elimination tournament. Thus we will see, over three weeks, the field dwindling to the "Sweet Sixteen", the "Elite Eight" and then the "Final Four". Finally, the season’s championship game will be played between the winning teams from the Final Four. The championship game will be on Monday, April 7.

For more information about March Madness, you may wish to try such websites as BBC's March Madness Basketball Tournament, the Official Website of the NCAA, the Bracket History of the 64-Team Big Dance (1985-Present) or Doc's Sports History of March Madness. In addition, you can find several books, some with accompanying DVDs at our library:

How march became madness: how the NCAA tournament became the greatest sporting event in America by Eddie Einhorn with Ron Rapoport.

NCAA March madness: Cinderellas, superstars, and champions from the NCAA Men's Final Four with special commentary by John Wooden and Pete Newell.

A march to madness: the view from the floor in the Atlantic Coast Conference by John Feinstein.

Enjoy the games and may your favorite team win (or at least reach the Final Four)!

March 31, 2008

Where Have the Ann Rule Books Gone?

If you're a fan of Ann Rule, you may have noticed that some of her books disappeared. Is this a case of true crime? No. Most of the non-fiction paperbacks both on the spinner and on top of the paperback fiction shelf have been removed.* We're in the process of giving them call numbers and moving them to the stacks with the rest of the non-fiction. If you search the online catalog and see a book classified as non-fiction paperback, it may not have been processed yet. You can place a request for the book, and once it is ready, the library will contact you. In the meantime, Ann Rule fans can find some of her books in the adult non-fiction stacks at the call number 364.1523 R. You'll also find other true crime authors in the same general area.

*A few non-fiction books, mostly about babies, are still lingering on the spinner.

About March 2008

This page contains all entries posted to From the Reference Desk in March 2008. They are listed from oldest to newest.

February 2008 is the previous archive.

April 2008 is the next archive.

Many more can be found on the main index page or by looking through the archives.

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